PROTAGONISTS OF THIS BLACK-COMEDY ARE PUNKS WHO DELIBERATELY REMAINED AT THE MARGINS IN MUDDY TIMES OF MACEDONIAN TRANSITION. THE ROUTINE OF THEIR OUTSIDER'S SURVIVAL IS DISTURBED BY AN OFFER TO MAKE A REUNION OF THEIR ONE-TIME CULT PUNK BAND AND PLAY AT SOME BIZARRE "MULTI-CULTURAL-HAPPENING", WHICH IS TO PROVE THE FALSE IMAGE OF MACEDONIA AS A LAND WITH RELAXED ETHNIC TENSIONS.
THIS IS THE FIRST MACEDONIAN FILM TREATING THE PROBLEM OF INCREASING SERIOUS NATIONALISM IN THE COUNTRY.
THE FILM IS CONCEIVED AS A BLACK-COMEDY, SOMEWHERE IN THE LIMBO-SPACE BETWEEN ROAD-MOVIE AND DRAMA. IT IS ALSO SUPPOSED TO BE VERY DOCUMENTARISTIC, A "CINEMA-VERITE" FEATURE ATTEMPT, AND THEREFORE EXTREMELY LOW-BUDGET, NOT JUST AS A PRODUCTION MODEL, BUT EVEN MORE AS AN AESTHETIC APPROACH.